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Sonny Chiba Double Bill

Article by Miikes' Sunglasses

Goyokin Poster

Shoguns Shadow

If, like myself, you are a fan of identifying obscure sub-genres, ( a man has to have a hobby) then SHOGUNS SHADOW is a real find. Under the main Samurai/ Jidai Geki banner SS can also be classified as a Wilderness Survival Tale, akin to Deliverance or Southern Comfort. It can also be included in an exclusive sub-genre, identified here for the very first time, the Sonny Chiba Cruelty to Horses film- a rare club where the unlucky animal in question is mutilated and tormented for our viewing pleasure.

But mostly SHOGUNS SHADOW is a rousing, old fashioned Boys Own adventure tale- full of deeds of derring do. Charged with accompanying the Shoguns young son to Edo before his brother attains the succession by default, our plucky group of adventurers must endure all manner of trials and hardships whilst being pursued by the dastardly Chiba- who in turn takes his orders from the scheming court offcial played by Hiroki Matsukata, a regular player in Chiba films, whose nervous but genial features were well supported by his understated acting style.

Led by the benevolent Ken Ogata, the Good Guys (TM) include broadly drawn characters each designed to show off their particular skill. So we have the acrobatic kung fu monk, the explosives expert, the impulsive young buck and so on. The majority of the films running time being taken up with successive tasks and ordeals for the group to overcome. A daring escape from a mining town, mountains to traverse, and one memorable bit where everyone has to make their way over a deadly ravine on an impromptou rope bridge that features back projection effects that should have stayed in the 1950s. Of course there are also many energetic scraps with Chiba and his goombas.

These fights are performed with considerable skill and imagination, showing the Japan Action Club (Chibas stunt team/martial arts school) at their best. Always coming off second best to the HK/Chinese film makers in kung fu choreography, Japanese hand to hand action has acquired a reputation for being decidedly inferior. And while the fight scenes in SHOGUNS SHADOW still don't come near the quality of an IRON MONKEY or OUATIC it is a shame that Japanese film makers didn't make more films in a similar vein.

Which brings us to the horses. To acheive the numerous horse stunts and falls seen in the film, the stunt team used the old (and some say cruel) trick of tying a wire to a horse' leg and yanking it away, letting the animal crash to the ground with considerable force. Christ knows how many of em they went through to make the film.

While SHOGUNS SHADOW is an ultimately inconsequential film, for two hours of pure entertainment it is hard to fault. All the actors turn in decent performances, and production design and the general look of the film is top knotch. All the actors that is bar one , the Shoguns son, the reason for this epic quest, is frankly a horrible little brat at times.

Beyond the occasionally cheesy effects, the biggest blunder the film makes is the use of some heinous 80s power rock during some of the action scenes, imagine a Japanese Van Halen. Imagine it, then shudder.

3½ out of 5

Goyokin

 

Timeslip

It rarely happens, but sometimes a film has such a perfect concept that no amount of bungling could damper the results. Luckily TIMESLIP (aka GI SAMURAI) is executed with a great deal of elan both behind and in front of the camera. Seemingly a direct result of a million schoolboy arguments Could Batman beat Superman? Would Darth Vader kick Bruce Lees ass? Or in this case who would win in a fight between Samurai and modern soldiers...

Previously released in the west in a dubbed and heavily cut version TIMESLIP could have been a cracking film if the makers had decided to shoot some mega battles pitting sword and spear weilding samurai warriors against the machine guns, tanks and helicopters of a modern armed force. There's certainly plenty of that but also some nicely written characters and an intriguing exploration of the warrior mindset.

Sonny is the leader of a small Self Defence Force squad out on a training manouver when they are magically sucked back in time to the 16 century and dumped on a beach courtesy of some fantastically cheesy SFX that resemble a bad acid trip. Understandingly freaked by this they are soon set on by a local samurai army who stare in wonder at these oddly dressed strangers and then flee in terror when given a taste of the SDFs hardware- a tank,helicopter, armoured car, jeep and attack boat are among the goodies on offer.

With admirable caution thrown to the wind Sonny and the boys throw their lot with one of the areas warring factions whose leader is giddy as a schoolboy at these wonderful new toys. The notion that tampering with history may be a bad,bad idea is dismissed quickly enough- theres vague talk of getting back to their time by altering the past- but since TIMESLIP doesn't observe the BACK TO THE FUTURE laws of physics- this is never really an issue.

The pomp and strict codes of the Samurai are contrasted with the long haired, shade wearing,lacksadaisical SDF troops (given that this was 1979 there was almost no chance that an SDF recruit would ever see combat). The twenty or so men in Sonnys squad soon deal with the situation in their own ways- falling in love with local girls, sitting around bitching about the past (which of course would be the present) and in the case of the boat crew going batshit crazy and deserting. Only Chiba (as Lt. Iba) is on the same moral level as the technologically primitive, but loyal and devoted, samurai. By amazing coincidence Iba is just as capable with a sword and spear as with a machine gun and grenades (his Judo is pretty good too).

But the battles are the main attraction for this film- and what battles! The last third of TIMESLIP is one major setpiece fight pitting literally thousands of Samurai against Chiba and co, with numerous standout moments. A soldier with a assault rifle holding off several hundred of the enemy, the tank decimating an entire regiment in minutes, mortar rounds taking out whole ranks at a time. Its not all one sided, a brave (or crazy) Samurai infiltrating the helicopter, firey battering rams smashed into the tank, leagues of ninjas popping out of nowhere. Oy Vey what a mess!

Directed by Mitsumasa Saito, who can direct epic rucks with the best of them, TIMESLIP also has surprisingly lovely music and genuine moments of pathos, as the camera pans across the shattered corpses of warriors would could not comprehend this modern form of warfare. A weepy piano ballad is used several times- the kind of thing which would normally make me gnaw my hand off- but darned if ain't a pretty little thing.

 

4½ out of 5

Written by Miikes' Sunglasses for www.koroshiya.co.uk


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